It goes like this, I shout about me a lot, and you read my interview on Broken Frontier in which we explore the ins and outs of my creative processes to be found here, and then I feel special and my head explodes.
Deal?
No? Okay well, if you like art and you’re interested in comics check it out anyway.
And if nothing else, the questions are really interesting!!
Big thanks to the guys, especially Andy who saw value in my work enough to wanna know ALL ABOUT IT! And with any luck you do to! So go get an insight into my noodle and why I do the things I do and I promise I’ll reward you with shiny new things soon!
Do you know what you NEED to own? You NEED to own my graphic novel, Tick. This is not a suggestion or a request, it’s a fact.
I know this, because the internet told me so. The Internet, in all it’s all-knowing glory, has come down this Christmas time in the form of Comic Community site Broken Frontier, with the flattering news that my work has been included in their Top Ten List of the best indie comics of 2012.
How about THAT?
So why not just treat yourself this Christmas and check it out here. Consider it a treat for having survived the end of the world.
Anyone ever read/ watch Cardcaptors? Not to sound like a little fangirl, but it was pretty rad. No joke.
I bring it up only because it had some attractive examples of interesting, illustrated card decks, which happens to be the brief of my most recent illustration project, which I am lovingly bringing to you today as part two of the Second Year Catch Up sesh.
We were asked to create a set of nine cards in the style of Edward Gorey’s Fantod deck of alternative Tarot. And my eyes immediately turned into little dollar bill signs, as this was in November, just prior to Comiket. And card decks are a pretty sell-able deal.
I turned to my interests in media theory for inspiration, choosing to illustrate Vladmir Propp’s theory of set character types. With creepy puppets. Because if a project of mine needs one thing, it’s definitely an air of macabre. (There was research and reasoning to back this up by the way, but, who am I kidding? You don’t care about that! You’re probably going to sneak past the text, straight to the pictures anyway, you cheeky little blog ninja.)
So here it is, The Propp-Up Theatre Deck.
So we have The fist 7 from Propp’s character theory (I chose to omit the Father as a separate character, merging him with the Dispatcher as is often the case with folklore anyway.) Then made up the full nine with the Bottler and Punchman, the traditional workers of the Punch an Judy show.
We had to design the nine cards themselves, then a back for them as well as a Key Guide to reading them, tarot style. I went a step further (in the name of making moolah) and turned my key into a small booklet with information about the concept as well as the cards themselves, as well as handprinting candy bags to echo the punch and Judy, disturbing British seaside vibe.
And did the punters at Comiket appreciate all the hardwork? Damn tootin they did! They were the first thing of mine to go and by the end of the day I only had about 2 sets left. Not bad for a school project/money making combo.
So, following on from the last post, I’ve been drawing inspirational ladies for an inspirational lady.
If you’d like to learn more about the achievements of some truly incredible people, or simply need an antidote to the head-in-palms inducing presentation of us double X chromosome owners available in magazine racks, check out this charming little ebook.
Anterograde amnesia is a form of amnestic disorder.
According to the mental health professional’s handbook, the Diagnostic and Statistical Manual of Mental Disorders , fourth edition, text revision (2000), also known as DSM-IV-TR, it is characterised by the sufferer’s inability to retain new memories or learn new information based on experience. This would make it very difficult to use any information gained through personal experience to alter the sufferer’s actions in their future endeavours. They are, essentially, unable to learn from their past mistakes.
I’m informing you of this, very interesting and clever sounding information (that I have, just now, stolen from the internet), because I think I must have this condition. Why else would I be so, totally one hundred percent incapable? Other than the fact I am just, literally a twat.
Unlike most people of sound minds, I seem to be completely and utterly incapable of learning from my mistakes, specifically with regards to the time management of personal projects, (illustrated best by this time, this time or, indeed, this time) and taking the necessary steps in ensuring that I DON’T DO THAT AGAIN.
Case and point: I have just this week recovered after five consecutive days of sleep deprivation and manic photoshopping induced finger strain, in an attempt to knock together the four page comic I have been thinking about making for about two months. The operative word here being thinking. I have known about a competition for a four page comic for the full length of this time and for the entirety of it, have had the well-meaning intention to enter. I started of pretty well, I wrote it. Then I did the first storyboard for the first page…about a month later. Then I put it off like an absolute champ until the week before deadline.
Oh yeah, and it was postal entry so completion time was pretty crucial in order to get it there in time. Brilliant.
And thus began the next installment in the, worryingly frequent, let’s-not-sleep-for-a-few-bajillion-hours-so-we-can-finish-this-work-that-really-should-have-been-done-at-least-three-days-ago saga.
And this is what I bring you today. The fruits of my most recent labour, made much harder by my own idiocies and disregard for my poor, suffering body’s basic need for sleep.
I don’t know if it’s a form of unassuming arrogance or simply a branch of unquestionable stupidity, but it’s getting seriously ridiculous the extent of which I will leave the things I want to do in favour of doing, just about, anything else.
I managed it yes. I finished four pages of narrative and I submitted it, within the time restraints of the competition. And it’s not the worst comic ever made. But it could, and more to the point SHOULD have been better. Much better. I should have had the time to redo the first storyboard as a storyboard and not had to rework it on the final page. I should have had the time to find a font that suited the tale better than the, pretty sorry, collection I work from currently, downloaded it and implemented it. I should have had the time to rework the text so that the first page wasn’t so unbalanced in terms of the relationship between text and image (you know, kinda the most important aspect of a graphic novel.) Shoulda. Woulda. Coulda. Because I DID actually have that time. And I frittered it away baking cakes and complaining about my summer project.
And now it is done. And that means it cannot be undone, at least until Marty Mcfly realises that he definitely is wasting his time with Jennifer and is willing to spring forward to 2012 and marry me, whisking me away in our badass time machine (this will happen after he realises he’s fed up of being a fictional character and ready to take the steps into the realms of reality), at which point I can find past me and give me a good slap, shouting “DO SOME WORK NOW” in my own face.
Until that moment, I’m going to have to settle with LEARNING from what has gone before and NOT leaving everything that is not of immediate importance until it is, at which point it’s too late for it to reach it’s full potential.
Well I can dream. There’s a definite possibility here, that I am actually just doomed.
I often find that the smallest, most insignificant occurrence in an ordinary day has the potential to spark whole waves of pulsing creativity inside these little human skulls, that can evolve into ideas, narratives or images that have the potential to turn into something quite special. It’s kind of the beauty of creativity; it’s incredible, organic growth from the midst of drab normality.
And then sometimes, it simply comes from seeing super cool, ultra talented people do super cool, ultra talented stuff and appealing to that most disagreeable, competitive part of you that wants to, if not beat them, at least be one of them. The Cool Kid Conundrum.
This is totally what happened to me yesterday.
I went to a talk in London’s St Albans Centre for a Comica organised event where the legendary Quentin Blake (if you don’t know his name you should be shot. And then be shown an image of his so you can go “OOOOoooh. THAT guy, yeah of course I’ve seen THAT guy!” And then, and only then, will I call you a paramedic. For the gunshot wound.) and the phenomenal Shaun Tan, a personal hero of mine and creator of beautiful graphic books like The Arrival and The Red Tree, were having a wee discussion about illustration and things.
It was a pretty awesome way to spend an evening to be honest. It’s wasn’t the most organised event in history, but was a lovely insight into the minds of two truly incredible (albeit very stylistically different) illustrators and their methods and philosophies regarding their work. They took us through a brief history of their careers, bouncing off each other in a mutual interview, before taking questions from the floor, and finally rounding up with a quick, live draw-a-thon and book signing (and Me-Oh-My did I have books so sign.)
I’m proud to say my copy is freshly signed!
And as I sat there, absorbed in the works of both of them as they scrolled through their, deservedly impressive, careers before producing some entirely new and original, flawlessly wonderful, off-the-cuff imagery, I thought to myself:
An example of Shaun Tan’s jaw dropping talent. From The Arrival, his wordless graphic novel about the loneliness and disorientation of immigration.
“Dude, you need to do more drawing.”
And I do. It may not have escaped your notice that there has been a severe lack of it recently. Now, that is, partially due to my broken scanner (BOOOO) and the fact I’ve been tied up in commission work for other people and writing etc, but really, there is no excuse not to bash out a doodle every now and then is there? I mean, it’s not exactly time-consuming. Plus it provides an excellent distraction from things I don’t want to do, like this god-forsaken summer project of mine.
So today I did The Book Look; a phrase I tend to coin whenever I’m feeling a little dry on the creative juices front and need to whack out my rather large collection of graphic novels, fanzines, children’s books and general collection of amazing talent to kick-start my own creative flow.
The result was drawings! Nothing special, nothing truly inspirational, and actually, nothing even remotely good, but drawings nonetheless! And, with my lack of scanner, I even photographed them for you JUST TO PROVE I actually did something. I do apologise for the poor quality, it’s in these times of need you truly appreciate the genius of scanning freedom, but alas. It’s dark times this end, I’m practically medieval.
(Though using photos taken in crappy light does kind of make everything look like it’s from a silent movie, which I kind of like.)
I can draw really, honest I can! But I needed to get back into the swing of things, loosen up you know? That’s what I tell myself anyway, “it’s okay, it’s just a practice…”
I did consider spending more time photoshopping these into better shape, but to be honest, I feel it would have taken away from the wholly organic, slightly shitty and very honest state of my sketchbooks. And what’s the point of even sharing rubbish doodles if I’ve cleaned them all up? Plus it’s pretty late right now and I’m sleepy.
What a gentleman. You can tell from his moustache.A Raven in a suit. At some point I’ll give him a hat.This guy is an old hash. When I was working on the research for Tick, I started drawing a lot of these diving helmets and he grew from there, to emerge now, a few years later, with a pet.A quick fantasy doodle. I find every now and then it’s essential for the soul to draw good looking ladies in obscure situations. What’s she reaching for? You’ll have to wait and see (because I’m not sure yet.)I’m quite embarrassed to have this on the internet, but this is, unfortunately, how my work begins. This is the first draft of the storyboard for my new comic I’ve been writing. I know it’s shoddy, please have faith. Somebody needs to…
Hopefully this will be the start of something beautiful. Hopefully this will get me back into the swing of things, of doodling for me and not just working on projects in sequence. I’d like to expand on a few of these, and maybe I will, but if they do just fade away, into the oblivion of forgotten sketchbook pages and nonsense spontaneity, I think that’s okay too.
But for now, in the very wise words of Mister Quentin Blake on the last page of Mister Magnolia:
It was a cruel trick to play I know, to leave you on such a adrenaline pumping cliffhanger yesterday. How very dare I weave the beginnings of such an intricate retelling of the Alice Tea Party, only to snatch away from you the sweet satisfaction of conclusion. To tempt you with tales of the present, only to deny you of the details of the gastronomic literary spread. For shame!
Yes, I am a cruel storyteller and, more to the point, a lazy blogger. And yesterday I had things to do.
But, for those of you who were a little intrigued by The Doormouse’s Hints and Tips for Life that I had made for my little sister’s birthday, I bring you a few snippets of the rest of her birthday tea.
Having discovered the Doormouse’s Hints and Tips for Life in the sugar pot!
As I said, I had decided to theme it like an Alice in Wonderland tea party (if I’m quite honest, the real reason for this is that I, myself, have always, ALWAYS wanted to have an Alice birthday party due to an uncontrollable adoration for the books and original Tenniel illustrations. Only it’s never materialised, so I thought doing it for my kid sister, getting to organise it and put it together, was probably the next best thing!)
The presents were arranged behind.Strawberry and Apricots suspended in Jelly!
Like with any handmade party, there were several limiting factors. The first being that I was, more or less doing it on my own due to work commitments of the ‘rents so how much could be achieved had to be realistic, and the second being that I wanted to keep it a complete surprise, no mean feat when Rhianna was milling about in the house doing lazy, birthday things. Luckily, a friend of mine had a birthday around the same time, so I’d managed to convince lil’ Sis’ that the extraordinary amount of baking that was taking place was in her honour.
Earlier that week I’d bought a coffee set for the occasion, so the night before my Mum and I had set about making black and red berries in jelly to set in the little espresso cups. We’d also made the layers of the cake, however it had not been constructed or decorated. And nothing else had been baked or made, so I began at 8am, baking, wrapping, decorating more or less without stopping, to have it all set up for when my Mum returned from work at 5.00.
And we did eat them. We ate them a whole lot.More Alice naughtiness! The jelly set wonderfully, so while the cups said “drink me”, as my Dad found out, you couldn’t!The oatmeal cookie recipe I used originally called for coconut and chocolate ganache in between the layers. However, Rhianna isn’t a chocolate kinda gal but LOVES jam. So Jam cookie sandwiches it was. And, of course, a bit of Alice icing.Edible Buttons! Made with a whole lotta food colouring!
THE CAKE
Although you can’t see brilliantly well, once I’d constructed the layers of the cake, I carved it into a wonk. So it not only leans like Piza, but the top is on a gradient. It looked pretty cool before I covered it in so much stuff you couldn’t really tell!The figures were my Mum’s genius contribution!I made strawberry roses using wooden skewers, black tissue and strawberries in keeping with the colour theme. It also helped the cake stay upright and wonky!
The cake layers were red, white and black like everything else, so when you cut in it was more Alice Madness! The Bottom was chocolate chip, the middle was red with summer berries in it and the top was black with black forest berries. I made buttercream icing and sandwiched that, strawberry and blackberry jam between the cake, then covered the whole thing in a layer of butter icing before I sealed it with rolled icing. A whole lot of work, but a hell of a fun cake!As it was late afternoon, the sun was feeling problematic for photographers. Especially photographers as rubbish as me.
All things considered, I don’t think I did too bad a job. It was certainly worth all the work to see Rhianna’s face when she followed the string into the kitchen. And she later announced, I hope in earnest, that it was the best birthday she’d had thus far. Which is gratitude enough for me, and really lovely to hear when you’ve been working so hard on, what turned out to be, the hottest day of 2012.
I mean it when I say she deserves it though. She’s not been well for the past 5 years and hasn’t been able to go out and do normal teenagery, growing up things so if I can bring a little fun and silliness to her, that’s a job well done as far as I’m concerned.
We’ve been munching on button biscuits, multicoloured cake and Eat Me Jam Sandwich cookies ever since. But, Like it says on one of the pages of The Doormouse’s Hints and Tips for Life: “When in doubt, Use Jam.”
So really, we’ve just got into the spirit of it all!
And yeah, okay so it won’t be the best attempt at an Alice party ever. I’m sure it’s been done a thousand times to a much greater effect than that of little old me. But it was all one hundred percent handmade with such love, and received with just as much that I don’t think it could be considered too shabby an attempt. And it certainly got the reaction from my little sister that I’d hoped for.
I’d love to know what Carroll would make of it.
Actually, scrap that, he would probably be so off his face on various narcotics he wouldn’t have noticed anything was odd.
I like birthdays. Not really my own, I’ve grown a little tired of that one over the past 22 years. It’s always on the same day, SOOOoo unoriginal. But I like the birthdays of those nearest and dearest because it’s one of those occasions where it’s acceptable for me to force my work, baked good and other forms of general handmade nonsense on people and they HAVE to pretend to be grateful. This year has been no exception to this rule, and I dread to think of the amount of hours I’ve clocked up in the past eight months crafting nonsensical felt characters, photoshopping bizarre and often totally inappropriate cards and drawing and printing over ambitious comic books.
Yes the number of people on this earth who have been subjected to some kind of Bagley-Original has risen quite dramatically over the past few months, and with the onset of my kid sisters birthday recently, I decided that there was no call to stop now!
It’s always a little frightening when the people you remember being small enough to fit in the kitchen sink like it was yesterday, suddenly turn around and announce they’ve decided to be fifteen now. I actually find it disturbing to the point that it’s a little bit rude, but she decided to do it anyway. And luckily for me, Rhianna (yes, yes, like the singer except she actually manages to spell it right) is in possession of a similarly questionable take on the idea of “being grown up” to my own. In that you shouldn’t really do it because it’s boring.
So in the spirit of our shared view on the legitimacy of adulthood, and the fact that this is the first time I’ve been home for her, rather inconsiderately placed summer birthday, for quite some years, I decided to make a bit of a fuss and theme it like an Alice in Wonderland Tea Party.
Considering it was only really me taking care of the birthday business, as my parents had to work on the day, it turned into a comparatively elaborate affair, and as such the retelling will be done in two parts. For now we’ll just have a little chat about the present I made her: The Doormouse’s Hints and Tips for Life; A tiny, leather-bound charm on a necklace containing numerous questionable facts and general helpful nonsense for life.
Key and Lock Necklace found in a Charity Shop.
I gave it to her by tying helpful, directional luggage tags (“Follow Me”, “This Way”, “Just a Little Further” etc) to a long length of string that ran all around the house, in and out of doorways, along banisters and finally into the kitchen where the tea party was arranged, and finally into the sugar bowl where it was hidden.
This was then placed in the sugar pot for her to find.
Made from handmade paper, faux leather, a gold marker, left over cogs from Tick and a lot of glue.
Happy Birthday Nan! May this little gift serve you well throughout the adventure you’re about to embark on. Next stop Sixteen, when the tips for life start taking a bit of a different bent.
But for now, just enjoy the fun of nonsense and all the creativity that comes with it. And don’t forget to clean behind your ears.
Yeah alright, so it’s been an age since my last post. And I have actually been busy too, which is doubly annoying because I’ve actually had bloggables to share with you, and simply haven’t done it due to extreme laziness/business/general heat-envoked fatigue.
So let’s go back an age or two when I was a good blogger and pick up from there shall we?
So, I was lucky enough to get myself a spot at the International Alternative Press Festival on Sunday 5th and have to say, it was a bit of a blast.
As usual for these little graphic gatherings, I met some truly awesome people, had some bat-shit mad conversations and generally flogged a whole load of my stuff.
It wasn’t as manic as Comiket, but given that it was a Sunday and during that mad thing that was the ‘Lympiks (sorry but did you SEE the boxing?? It was frickin’ AWESOME) that was only to be expected.
Once more, the free zine Tele was back on display and finding it’s way into the pockets of just about everyone!
Prints galore!
I was selling the usual: Tick, Rumble and all the zines as well as a selection of limited edition linocut and screen prints. The Sock Creatures once more made an appearance and did so well, I’m sorry to say I don’t even have photos of most of them! They were flying off the stall like mad. Only three remain with me so I’ll have to get sewing in anticipation of the next one!
And they weren’t the only addition to my ever-growing repertoire of textiles. Due to the success of the sock animals at previous events, I’ve recently been knocking up a new line of fuzzy cute things: The Felties. They made their debut on the stall at the IAPF and did pretty well too!
The Felties were met with just as much popularity so will definitely be making appearances at future conventions. Each one is entirely unique, but there’s enough madness in my noggin to sustain a good few designs I reckon!
So, surrounded by incredible examples of storytelling, I had a pretty ace time, met some totally weird and wonderful people and made a little money while I was at it. It’s at these things that I tend to be reminded how great my life can be!
If you have never been to an independent/small press comiket I suggest you get on the internet and find out when your nearest one is. They really are a brilliant laugh and I can guarantee you’ll find some kind of gem hidden in one of the stalls.
Plus then you can buy a sock animal. Don’t pretend you’re not tempted.