At a lecture today, a lady (yes, a lady) mentioned that her organisation had Cath Kidston in line to give a talk.
Then I came home and didn’t want to go to bed.
At a lecture today, a lady (yes, a lady) mentioned that her organisation had Cath Kidston in line to give a talk.
Then I came home and didn’t want to go to bed.
So a handful of friends and I decided to make a pretty thing.
You know, cause we’re in third year and have nothing better to do or anything…
But it seems a shame not to make use of the ace University facilities available to us while we’re lucky enough to be here. Especially given that they are, available FOR FREE (3 grand a year free anyway. Well, it’s better than 9.) so we gathered together a little proposal to send out to our fellow image makers on the course.
We wanted to make a collaborative work of illustrations and imagery based on the brief we set. A short, publication that showcases the talent that Bath Spa is about to unleash on the world. We decided to keep it simple, keep it open to interpretation and keep it relevant.
And what could be more relevant than the present? So we asked people to volunteer a simple image in two colours (black and blue) based on their own, personal response to the Right Here, Right Now. We wanted to keep it simple so could spend a bit of time reproducing on the dual-colour Risograph printer in our studio. A cheap and cheerful zine that captures the very essence of 2014’s graduation image makers.
So here’s my design. My personal Right Here, Right Now: A third year on the brink of graduation:
Unfortunately, the project took something of an acceleration which leaves me unable to currently show you the finished product. Turns out, our tutors thought it was a kind of neat project too, so encouraged us to put a wiggle on and get it done in line with a second year study trip to New York so they could take it with them to drop in on US professionals and studios. This is, obviously pretty cool, but it meant we had to finish it in under a week. We managed to get the kindly artwork donations of 12 classmates so it’s a tight little compendium, but the styles are all really varied and I think it looks ace overall. We literally got done binding it with minutes to spare before handing it over to be whisked away over the atlantic, but we’re well in line to produce a few more so photographic evidence will be kicking about soon with any luck.
Trust me though, it looked really cool.
Seriously.
If you’ve had your ear to the ground in the world of illustration and whatnot, you may have heard that the Folio Society & House of Illustration have recently launched their 2014 competition to illustrate a classic novel. This year’s addition to their, ever growing archive of mouth-wateringly stunning books, is Joseph Conrad’s novella, Heart of Darkness.
And with a subject matter that rich, who the hell am I to say no?
So here was my entries of 3, evenly spaced illustrations to accompany the text and a graphically simple jacket design.



So there we have it! It was a stunning project to work with, the text is truly deep and rich and it was a genuine challenge to provide works that didn’t sell it short. In the end, I decided to let the words do their job with the vast majority of the description and allow the imagery to focus more on communicating the themes of the scene. It’s my belief that images should, really offer something additional to the text, rather than simply supporting it.
I Can’t wait to see the winning design, I’m sure it’s going to be something quite special!
I’ve been working on a few drawings to go in the Children & Young Adult Fiction Anthology for this year’s MA Creative Writing graduates at Bath Spa University. The Anthology’s titled Where the Wild Words Are and displays cheeky snippets ad extracts from each of the novels written by this years Graduates. I was lucky enough to devise illustrations for three of the stories, all of which are Young Adult extracts with a darker tone.
I wanted to depict the extracts given without preventing any imaginative interpretation on the part of the reader, avoiding visual repetitions of the, already very powerful, writing. Instead I teased out familiar motifs and visuals from the written extract and assembled them to make suggestions about the rest of the story, encouraging further interest in the rest of the book. Although somewhat literal in conjunction with the text, the images are intended as conceptual signifiers of the direction of the story.
Although I felt the inclusion of the characters was important, I tried not to give too much visual information away here either, either abstracting their faces or simply turning them away so that they’re not fully visible and recognisable.
After all, I don’t want to remove the readers ability to make visual interpretations, reading is about imagining! Plus I don’t see why I should be the one to do all the work.
So here’s what I got. Three pictures, for three stories by three, remarkably talented writers.
OtherWorld
Written by Lucinda Murray

Trev
Written by Val Mote

The Light in Our Hands
Written by Sarah Waterstone

The Anthology goes to print sometime over the next few months and contains a plethora of talent and imagination from the students of the MA. The extracts and synopses for these, as well as many, many others had an enormous amount to offer and I hope my interpretations of their work are as valued by the authors as their stories were by me.
Look forward to it all put together now!
They’re at it again! The Broken Frontier boys are gracing the internet with a wee bit of Bagley love and spreading the joy of my, and others’ short, fun and utterly FREE comic goodies.
It’s a neat little post that showcases some definite ones to pay a visit to, including the twisted and Brilliant EdieOP, Elizabeth Querstet and Team Girl Comic…as well as saying some nice things about little old me!
Check these guys out, holding the comic bok fort from the XX chromosome end of the scale!
It took a while and it was stressful and incomprehensibly confusing at times but, the concluding chapter of the Ambiguity Project has finally been written. And I figure, as it was all your hard work that made it, it’s only really fair that I offer you the chance to a little gander.
All those broad and insightful answers you sent, emailed, told and wrote to me have been gradually forming this project for a while now. The character portraits they formed have taken on a number of attributes and aspirations and finally, in your deciding of the concluding question, you’ve shaped their journeys towards aspiration progression and digression.
As a result, the pieces have evolved from character portraits into the format of maps.
The pieces as a whole communicate the desires, aspirations, fears, limits and goals of each character, based on the desires, aspirations, fears, limits and goals of every person that took part. 
The representations of map elements are extensions of your resulting answers, transforming the images into something of an artistically representative psychological landscape in which forests, desserts, mountains and rivers must be bridged and navigated as the theoretical characters endevour to achieve.
As the maps can be folded in any number of ways, new compositions and sequences are formed out of the ambiguous collage imagery, introducing the possibility of narrative-based interpretation and multiple routes through the artwork.
Based on your final answers and your choice to answer with positivity or negativity, I adapted the likely-hood of the journey’s success using the environmental features.
At times, rivers will be bridged or shattered, allowing navigation around the barriers so that the illustrations of goals can be accessed. At others, the folding will introduce increased forests and confusing, representing the journey becoming harder.
Basically, these are four artworks that beg to be played with and explored. Fold ’em up however you wish to reveal multiple artworks and new possibilities for stories.
Then, obviously, cause I can’t let things lie, I wanted to make a slip case to contain them.
The project dictated that it needed to have a binding jacket, so, as my results had extended out of the original book format intended, I used it as an excuse to design and display the cover.
I knew the artworks were complex and involving, so did not want to drown this in the cover design. Instead I opted for a simple, systematic looking result, inspired by the design of 1970’s psychological textbooks. I wanted the notions of progression towards goals to be represented by the idea of making your way from A to B, and knew that the suggestion of maps had to be present, hence the light inclusion of the forest elements, which doubles up nicely as directional arrows.
There’s a very real possibility that I did forgot to spell check.
If you find anything, do me a favour and just keep it to yourself okay?
Anyway, another project down.
Thank you so much to everyone that helped, I really hope that you appreciate the results.
Cheers
B
We are now 3/4 of the way through the journey that is the Ambiguity Project. Thanks so much for getting involved, it’s been great to have so many people interested in helping out and I really hope you’ve been enjoying the results.
Another question asked, another layer formed, the collages and (as a result) the characters are really taking shape now, so here’s what we have so far:
I asked you, WHAT IS YOUR GREATEST PRIORITY?




So, for our final concluding layer, I would like to put it to you people to answer ONE of the following two questions:
DEFINE YOUR PERSONAL SUCCESS?
DEFINE YOUR PERSONAL FAILURE?
Okay so the project is underway and the collages are beginning to evolve. For those a wee bit lost, a full description is here.
So far, here’s how we’re looking:




Most of the answers worked pretty well together as a lot of them were about time and the passing of it. What was fun, was making these similar answers fit with the positive, negative character types as defined previously.


A thousand thank you’s to all of you getting into the spirit and lending your answers.
So, the next question that will form the next stage:
WHAT IS YOUR GREATEST PRIORITY?
I look forward to getting your answers, either on here, twitter or direct to me at bagley.becky@gmail.com
I’ve started a thing.
I asked a control group of people (mainly third year university students at the University of Bath Spa…go figure…) three simple yet remarkably ambiguous questions for them to answer as they wished.
1. WHAT DO YOU GET UP FOR IN THE MORNING?
2. WHAT ARE YOUR LIMITATIONS?
3. WHAT IS YOUR GOAL
I received a lot, a lot of varied answers. These results have now formed the first stage of a set of four collaged images to represent a set of character sheets.
So Far our cast consists of W,X,Y and Z: An extrovert positive character, and introvert positive character, and introvert negative character and an extrovert negative character; each one captured in an abstract collage.
They look like this:




Every day or so I’ll be asking a new, ambiguous question. Each answer I receive will be randomly attributed to each character and represented on their collage, forming further details and fleshing out the set until they become formed characters in the form of abstract collages.
The idea is, my control over the growth of these characters and development of the images is diminished and YOUR (yes, that’s right, YOU) will directly influence the artwork. Each stage will be posted right here so you can keep an eye on your handywork.
So, the Next question is:
WHAT ONE THING WOULD YOU CHANGE?
Submit answers either in the comments box, or email me at bagley.becky@gmail.com.
You can also tell me via twitter, all answers are welcome.
Let’s get this show on the road!
B