Category: Reviews

Book Club Review – Kiss it Better

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Author: Smriti Prasadam-Halls

Illustrator: Sarah Massini

Publisher: Bloomsbury

 

I think it’s important to begin here by noting that a book with the word ‘kiss’ in the titles, adorned with hearts and cuddly bears is not my usual choice when browsing the shelves of the kids section.

It’s pretty fair to say I am not the saccharine type, and tend to learn towards picture books that come with a sense of quirk, adventure, humour or, dare I say it, even a touch of darkness?

That said, I was drawn to this one initially by the beautiful, elegantly drawn characters on the cover. The quality finish on the thick, textured paperback, coupled with the tasteful touch of the title foil, made it feel like a product of real quality when I then came to pick it up. I was sold on the cover, and began to flick through it.

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Kiss it Better is exactly book you expect it to be. Classically inoffensive, tender, loving and heart warming throughout, its what I tend to think of as the perfect grandparent book. Prasadam-Hall’s cutesy poem, champions the power of  family and love in conquering the day to day perils of young childhood in a series uplifting and feel-good couplets. From bruises and bumps to the fears of leaving mum and the playground gates, Prasadam-Halls  captures a number of common fears for little ones, reassuring readers that strength and comfort is always found the family unit.

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Geared up towards the 2-4 age bracket, I think Prasadam-Halls does a great job at tackling the most relevant problems for children of this age, taking the first steps towards independence. Personally, I’m not quite sold on the use of poetry, catching one or two slightly forced rhymes that, for me push the limits of sweetness just a little too far into the diabetic danger zone. It’s, naturally, a thing of taste, but I can’t help but think of the parents reading this one at bedtimes, and feel it could be something of a one sided relationship. Completely relevant for the child, yet potentially not quite such a pleasure for the adult of the bedtime routine.

But of course, heartwarming tales of reassurance ARE most necessary for children who do worry, and Kiss it Better  does a great job at preemptively tackling young-perils with Mumma bear’s aresenal of types of kisses for every occasion.

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Its also important to note that, while a touch on the ‘safe’ end of things, I enjoy this book. I really enjoy it, for the very same reasons I picked it up that afternoon in that bookshop in Bath, against all my cynicism.

Massini’s illustrations are utterly delightful. Her anthropomorphised characters are charmingly animated protagonists, filled with character. Their faces are simple, yet so elegantly drawn that they effortlessly communicate all the genuine love of Prasadam-Halls’s tale. In a book where the poem gives nothing away as to the character specifics, Massini’s interpretations seem to perfectly capture the heart of the story.

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Their charmingly vintage wardrobe and soft palette gives a real personality to the book that elevates it visually to something a little more interesting than classical cuteness. Or I’m just a sucker for a bear in a hat.

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Similarly, texture and rough painterly marks give the images a real depth and bite that set them aside from the more classical, painterly illustrations you may associate with a traditional children’s book. The rough and ready touches add a quirky, offbeat life to the pages and the clearly considered-to-look-unconsidered scatterings of hearts bring it all together into an image that’s contemporary while still drawing from suitably, classic influences, all in the soft, pastel palette.

The location of our story are also moved along within the visuals, as we follow our family from the fairy tale, forested home, to the schoolyard to family holidays away at the beach. This seems a really strong visual device for the book, not only to allow for Massini to emphasise her retro styling (these bears know how to ROCK that rockabilly bathing suit look) but more importantly to allow the strength of the family unit to shine. Childhood woes can appear anywhere, but wherever they may be, a kiss from Mum, a hug from Dad or a bit of generosity from your sister will save the day.

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On top of the strength of the illustrations, I think the design overall is equally well executed, with a good combination of full page imagery interspersed with spot, sequential images. The flow of the book is kept well without pages becoming too samey and the fluid layout of the text gives creates a real movement in the reading that carries you through the poem with ease and grace.

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Sure, Kiss it Better may not be my cup of tea entirely, but it’s a beautiful and heart warming read without a doubt. The prefect ‘safe’ book for the picture book traditionalists and romantics among us, this title knows it’s audience and I think the dependence on family values is something we can all appreciate.

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While there are increasing numbers of boundary-pushing, quirky and, dare I say, post modernist picture books gracing the contemporary market, I think it’s really important that more classic, uplifting reads like this one remain on our shelves. The world of the picture book market is vibrant and versatile and it’s vital it continues to offer something for every taste. Especially when the quality it this high.

Well I’m suitably warm and fuzzy, who’s for a hug?

 

Book Club Review – A Beginners Guide to Bear Spotting

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Author: Michelle Robinson

Illustrator: David Roberts

Publisher: Bloomsbury

 

Planning on going for a walk in bear country?

Well, Michelle Robinson and David Roberts have it covered. And frankly, if I’ve taken one thing from this entrancing Bloomsbury number, it’s that I probably wouldn’t recommend it!

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With the guidance of the unseen narrator’s reassuringly authoritative instruction, our silent, somewhat gormless, protagonist is led on his safe and correctly passage through the obstacles of bear country.bearspot_inn11

Er…or that is until the bears get in the way.

As the sorry little blighter walks further into increasing peril, Robinson’s narrator enthusiastically observes the scenario unfold alongside the reader, instructing accordingly based on the, ever so helpful bear spotting guide.

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What’s so charming about the tone of this book for me, is that it somehow seems to harbor a really classic British-ness. Not only is it impossible to read the text in ANYTHING but the most polished of Queen’s English (the narrator, for me, was undoubtedly voiced by Stephen Fry. Maybe Attenborough at a push) but the humorous, narrative voice hints towards that mocking depreciation of authority that is somehow unique to British humor. The subsequent disasters our unprepared hero befalls, at the hand of the useless instructions relayed by an, apparently knowledgeable authority, are somehow utterly delightful.

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Let’s face it, us Brits just revel in the shortcomings of others. It’s those cringe-making social failings in Gervais’s The Office; the deepening escalation of Black Adder’s wry truth embellishing, even the incrementally increasing fallout of Mr Bean’s slapstick clumsiness. Bear Spotting’s dry humour is a charming nod to the oh-so-British black comedy. (Or perhaps that’s brown comedy…)

bearspot_inn1But, as ever, in a picture books the legwork is only in part down to the written content. While Robinson’s text is, frankly, inspired, the true, laugh-out-loud effect is only achieved with its application to Roberts’s exquisite illustrations. Pleasingly sparse pages, and a rich, autumnal colour palette allow our character and those bothersome, suitably menacing, bears are left to speak for themselves against the minimalist environment. Earthy tones and tiny, quirky details all come together in the formation of a weird and wonderful world where oven glove mittens are the obvious choice for an excursion.

bearspot_inn5Only the simplest components of a human face are visible under our hero’s inspired, vintage-look balaclava, yet the expressive power in accordance with our narrators exclamations are simply divine. Robert’s facial drawings are spot on, ensuring instantaneous recognition as to the feelings of our silent protagonist. Its a delightful excuse for little-uns to strengthen understandings of empathy and for us bigger ones, it’s really just very funny.

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As much as the absurdity is pleasing, I think there are a lot of reasons that Bear Spotting is actually a pretty intelligent children’s book. Not only does the silent figure demand a level of emotive analysis, but the format of the book as a whole is pleasingly subversive from the picture book status quo.

Once upon a time, books were words. Then pictures joined the party as the supportive side kick, echoing the text to reinforce the imagining in the readers mind. Then practitioners got clever. Imagery started to work together with the text providing additional details, or even showing a different reality to that of the words. Picture books subsequently became rich with narrative.

Bear Spotting is taking the next leap in the evolution of visual storytelling. Today, an all singing, all dancing new breed of pictorial-textual relationship has been emerging. Robinson and Roberts separate voices neither repeat nor subvert each other; instead they are two sides of the same dialogue. A reactionary book, if you like.

 

A short time ago, panicked traditionalists foresaw the death of books in place of the, more adaptive, games, films and apps. But seemingly picture books weren’t willing to give up so easily and new structural shifts have allowed for them to compete on the dynamic and reactionary plane. Our written narrator says jump, and our visual lead responds…rarely asking ‘how high’. Both have their own agenda and this interplay is the crux of the humour of this triumphantly absurd and delightful tale.

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I love the text hidden under the ‘folded page’ of the guide.
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Creative use of capitals, bold and direction of the font throughout really gives the narrator a distinctive voice.

The simple conversation of the story is executed perfectly, without the book becoming long winded or overdrawn. The design faculty at Bloomsbury have masterfully laid out the pages into a perfectly paced and well balanced number and their exquisite use of typographic play really brings a life and enthusiasm to Robinson’s narrative voice.

 

In a time when picture books are offering as much ingenuity as the current market suggests, it is no mean feat when I say that Bear Spotting has probably been one of my favourite releases this year. I congratulate every single person who had a hand in this delight, and I look forward to seeing where we end up next on this path through the children’s industry.

But be sure to pack your teddy and a stick of gum, and never rely on Stephen Fry as an authority to guide you through Bear Country.

Book Club Review- The Princess and the Giant

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Welcome everyone, to the very first of a BRAND NEW series to the blog! Woop Woop!

I make no secrets of the fact I am an ENORMOUS picture book nerd. I draw write, read, study and live them and you’re either lucky or lying if you say you’ve ever attempted a conversation with me and I’ve not slipped off into the realms of an illustration related ramble. My bookshelves are booming with all things pictures, so I’ve decided to introduce to the blog a new series of reviews based around the contents of my studio! Welcome to the Bagley Book Club, kick starting this week with The Princess and the Giant.

I mentioned in my last post, that I recently attended a very lovely book event in London, hosted by the indie publishers, Nosy Crow. Here I purchased a (signed, natch) copy of the next installment of the Princess and the.. Series. And yeah okay, I am cheating a little here, as the talk did allow insight into the creation of the book, but it’s my first review so I trust you all to forgive me.

warbie_5Author: Caryl Hart

Illustrator: Sarah Warburton

Publisher: Nosy Crow

 

So, let’s get to it! Following two already successful titles in the series, The Princess and the Giant sings to the same, whimsical tune. Our feisty, heroine princess – suitably cute, of course- is ever strong, albeit less comically obnoxious than that of the Princess and the Presents title, yet still brimming with life and charm. Her stoic determination to quell the furiously, grumbling giant above them using the home comforts of her own night time routine is bloomin’ adorable, offset with a hefty dose of humor and feist for a pleasingly full-bodied tale.

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The fearsome, yet not really so monstrous, giant’s ferocious, tired tantrums are no doubt a familiar tale to countless parents and can only to be conquered by pragmatic Princess Sophie’s application of all the proper elements of bedtime. Empathetic and stubborn, her repeated efforts to comfort the frustrated beast are depicted through rich spreads that all conceal extra layers of visual delight.

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Cracking pajamas.

 

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In conjunction with endearing, curious characters, Hart’s poetry is frankly, a delight. It seems to me that rhymes in kids’ books fell out of fashion for a while, I would guess due to the eye-roll inducing forced couplets that had become oh-too familiar. But this looks set to change as Hart, and an increasing number of writers like her, have proved that they’re more than capable of restoring rhyme back into the limelight. The poetic trick is particularly relevant to the fairy tale setting, drawing on conventions and speaking in the language of all that lovely, sweet and wholesome tradition!

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Warburton’s varied of composition keeps every spread fresh and intriguing. I love this crop of the soldiers as we view the world at Sophie’s level.

Who am I kidding? Modern readers are more demanding than that! Kids books got smart and one dimensional, conventional tales just won’t cut it. Been there, done that, worn the somewhat tatty t-shirt.

Instead, Hart and Warburton expertly exploit the classic, folklore elements to subvert all the expectations into a fresh and funny result. Hart’s assertion that princesses should all ride bikes, and kings and queens would, naturally, perform the simple daily tasks of making porridge and chopping wood, ensures that any preconceived ideas of grandia are well and truly usurped by a more down to earth, accessible breed of royalty.

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Hats (and crowns!) off too to Warburton, whose ability to take Hart’s quickest of throw away lines and develop them into full blown sub-narratives breathes fresh, secondary stories into every spread. From humorous costume choices of the fluffy, cable knit clad ‘villain’ of the tale to the casual, checked-shirt donning Queen, Warburton takes the written cues and creates full, delightfully quirky characters that add depth and even more personality to the tale. The growth of the mouse butler from one line into an expressive and visually essential sidekick seems an ingenious touch that adds further narrative to every page for children, parents and enthusiast (AKA-nerds like me) to get lost in. The days of illustration’s role being limited to repeating the hard work of the text are well and truly over. Contemporary practitioners speak in their own voice that operates alongside that of the author, and the results seem to only be getting richer.

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Warburton’s beautifully hand rendered type also adds a comic-style movement and fun to split spreads.

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Let’s face it, the quality of kids books in recent years has been leaping into entirely new realms. From insane print quality values (may the designers among us take a moment to drool over the delicate cover foil here) to cunning split narratives that speak to the big-uns just as much as the little-uns, Warburton and Hart are far from sole talents in pioneering this comically subversive, contemporary and reactionary tone. But what they’ve done, they’ve done pretty darn well. No doubt with careful guidance from Nosy Crow, the Princess and the… series has been a delight and the empathetic Princess Sophie and her devotion to bedtime is another champion of this popular breed of contemporary fairy tale.